One year later, Sarah’s pals are eager to get her mind off the impending anniversary, and hit upon an obvious idea: spelunking! As the convoluted - and, as it turns out, not exactly mapped - cave system begins to ensnare the women, literal monsters lurk just outside the frame and monstrous emotions and secrets begin to emerge. The result is a film that upends old ideas about how its female horror stars should act, nestling the concept of “badass” (the film boasts more pickaxe-swinging ladies than on a minute to minute basis than any other in recent memory) neatly alongside plain old “bad.”įeminist in its intention and execution, “The Descent” isn’t just uninterested in deifying its female stars, it actually revels in allowing them to be messy, terrible, selfish people, even when they are pushed into the kinds of situations we’d like to assume bring out the best in people. Centered around Sarah (Shauna Macdonald in a star-making performance that somehow didn’t actually make her a star), the film opens with a chilling prologue that sees Sarah’s husband and young daughter killed off after a whitewater rafting adventure. Stream of the Day: Steven Soderbergh's 'Raiders' Sees Indiana Jones in a New LightĮmmy Predictions: Best Limited Series - Was It 'The Queen's Gambit' All Along?īest True Crime Shows on Amazon Prime, Hulu, HBO Maxīuilding its story around six female stars was a revolutionary idea at the time of its creation - hell, any of them could be the final girl! - and Marshall’s film quickly zooms in on a clever idea, excavating the fraught bonds of the women alongside the increasingly claustrophobic caves they are traipsing through. Stream of the Day: Alfonso Cuarón's 'A Little Princess' Is the Best Cinematic Version of Burnett's Fairy Tale World

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